Change, especially in a creative team, can be daunting. However, in the case of Jujutsu Kaisen’s new director, it is worth getting excited about. Sunghoo Park, the South Korean animator/director, directed both The God of High School and Jujutsu Kaisen’s first season and the subsequent movie. Nevertheless, fans were concerned that he would not return for the second season. Fortunately, fans need not worry as his replacement, Shota Goshozono or Gosso, is a rising icon in the anime industry. Although Gosso’s earliest credits date back to 2015, they quickly rose to fame, earning a fan following through their work on Black Clover, Sword Art Online, Fate/Grand Order Babylonia, and many more.
It is impressive for an animator to become a director in such a short amount of time. Often, it takes years of in-between and key animation work before someone gets the opportunity to direct. Nevertheless, Gosso is an exception to the rule, and their talent and hard work have enabled them to rise quickly through the ranks.
One of Gosso’s most notable works is Fate/Grand Order: Absolute Demonic Front – Babylonia. The series was produced differently from most series and had a more generous production schedule, allowing the team to shine. Gosso was a part of the team and worked on six of Babylonia’s 21 episodes, such as parts of the fight between Gilgamesh and Enkidu early on. A year later, they would find themselves working on Jujutsu Kaisen’s first season, directing two episodes, Episode 8 and Episode 17. Episode 17, in particular, was one of the season’s best, with its character moments and stunning fights.
Since then, Gosso has continued to make a name for themselves as both an animator and director. They storyboarded, directed, supervised, and partly animated episodes 7 and 21 of Ranking of Kings, with the latter being one of the standout episodes of the series. Then, in the fall of 2022, they directed episode 8 of Chainsaw Man, one of the most visually striking episodes of the bunch.
Gosso’s ascension to the director’s chair for Jujutsu Kaisen Season 2 is a big deal. The milestones they have achieved in just the past few years are a testament to their talent, hard work, and dedication. Gosso’s best qualities are experimentation, perspective, and patience. Their early works, such as their cuts on #63 of Black Clover, are notable for the use of 3D blended with 2D to create unique kinds of shots that are not typically seen. Gosso’s use of 3D also made a comeback in a big way in Jujutsu Kaisen #17, with a slow-mo tracking shot on a bullet hurling toward Maki. The creative use of camera work and posing of the characters made a lasting impression on viewers.
One of Gosso’s hallmarks is how they use 3D software not just in the conventional sense of having 3D assets within a scene, but as a tool for constructing an environment in which to create 2D animation. By creating their own assets, they can envision the space where the scene takes place, where to place the actors, and how best to move through that space. Gosso’s choreography during action scenes is impressive, but equally important is the way they frame their scenes. Their command of perspective in creating believable physical spaces makes their cuts much more dynamic.
In conclusion, the new director for Jujutsu Kaisen Season 2, Shota Goshozono, is worth getting excited about. Their summoning ritual scene, and the way the scene is framed with characters moving in and out of the shot, as well as the use of camera zooms and pans, all help to build tension and make the moment feel grandiose.
But perhaps most importantly, Gossozono has shown a willingness to take his time and not rush through scenes. He’s willing to let shots linger for just a moment longer than other directors might, allowing the audience to really take in the visuals and appreciate the work that went into creating them. It’s this combination of experimentation, perspective, and patience that make him a truly exciting director to watch.
In conclusion, while change can be daunting, the addition of Shota Goshozono as the director for Jujutsu Kaisen’s second season is a change worth celebrating. Gosso’s ascent to the director’s chair in just a few short years is impressive, and his unique style and approach to animation make him a standout talent in the industry. From his experimentation with 3D, to his use of perspective and patience in creating stunning visuals, Gossozono is a director who is definitely worth getting excited about.
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