In recent years, Pixar has faced challenges, not in terms of the quality of its films but rather from a business perspective. Under Disney’s Bob Chapek leadership, Pixar’s movies have been relegated to content for Disney+, causing their specialness to fade away. While films like “Soul,” “Turning Red,” and “Luca” have been critically acclaimed, the shift to streaming has diminished their impact.
Pixar has been known for its ability to produce original films that perform exceptionally well at the box office, even in an era dominated by franchises and intellectual properties. However, “The Good Dinosaur,” released in 2015, stands out as an exception. It grossed $332 million worldwide, which is below Pixar’s usual standards.
Pixar typically spends around $175-200 million on its animated films, but the troubled production of “The Good Dinosaur” led to increased costs. The film was originally set for release in 2013 but was delayed by two years due to director changes and story overhauls. In 2015, Disney tested releasing two Pixar films in one year, with “Inside Out” achieving great success while “The Good Dinosaur” struggled to stand out.
The film’s quality also played a role in its underperformance. It lacked memorable characters and featured a patchwork story, making it less appealing compared to Pixar’s other offerings. Additionally, releasing two Pixar films in the same year diluted the impact of each release.
Pixar’s subsequent attempts at releasing two films in one year faced various challenges, including the COVID-19 pandemic. “Lightyear” released in theaters in 2022 but did not perform well. The streaming model began to overshadow Pixar’s theatrical releases, and the studio found itself in a challenging position.
Even Disney, with its extensive portfolio of franchises, is not immune to box office challenges. The decline in box office performance for the Marvel Cinematic Universe and the inconsistency of “Star Wars” films serve as examples. The movie industry remains unpredictable, and not every Disney release is guaranteed success.
In summary, “The Good Dinosaur” marked a departure from Pixar’s usual box office success, with factors like production troubles, quality issues, and the release strategy contributing to its underperformance. This serves as a reminder that producing a successful film is not solely determined by a well-known brand like Pixar.
Perdita, Cruella de Vil, Roger Radcliffe, Dodger, Oliver