For those imaginative men with completely perfect continues, what’s in the store looks incredibly brilliant. They rapidly gain the consideration of financial backers from one side of the planet to the other, however more critically, as the film’s principal storyline so apparently demonstrates, what the unfortunate colleagues don’t understand is that behind their backs a gathering of tainted, desirous civil servants anticipate bringing them down for reasons unknown. As the plot, which logically comes as a piece immature and feels too surged in its last venture, creates and offers some intruding retrospection, it’s becoming more clear that the entire frightening experience isn’t stringently cash-related yet has a few associations on a more private level.
In that grievous undertaking, the most fascinating person is Kamil (Wojciech Zoladkiewicz), an aggressive examiner, who driven by ravenousness before long turns into a doll in the possession of the exceptionally persuading Andrzej and his company of self-proud lowlifes. He’s shaky and weak, consequently extremely simple to control, and despite the fact that he has a couple of seconds of dithering actually stays his very own detainee feebleness.
Bugajski’s heading gets sidetracked on occasion and uncovers a few minor plot openings, however, the overall thought remains completely undisturbed – – debasement is a plague that spreads like an infection, and thought individuals wherever attempt to battle it, a battle won’t presumably ever be won.
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